Monday, July 28, 2014

How to Format a Book

Thank me!
I decided to bless your face and share how to properly format a book in Microsoft Word 2013. Prepare to be enlightened and not get so horribly stressed out because you don't know what you're doing like I was!!! So be happy I know how to do it so I can teach you.

1.     Know the dimensions of your book. Word automatically makes its page sizes 8.5x11, which is not a standard book's size. Go under Page Layout, Size, and select the size you want. There is an option to custom size your page, and the tab for that is at the bottom of the Page Size list.

2.     Know the bleed and gutter requirements, of your book. What is bleed? During the printing purposes, the book’s pages are cut to create the books size. Because it is trimmed, and you don't want anything important to be cut off, bleed is needed. A 1/8 of an inch (0.125) is added to the pages’ perimeter to give the printers wiggle room when they trim. A book's gutter is where the two pages come together. Because you don't want text going down into the gutter, and become unreadable, know how deep your gutter will be. This is determined by how many pages you will have. The more pages you have, the more room for a gutter you will need. To create the proper bleed and gutter, move the margins at the top of the page. The margin's controls are on the ruler and adjust it by sliding its pointers back and forth.

3.     At the very beginning of most books, there is a title page, Table of Contents, Acknowledgment page, and dedication page. There can be other pages too, but these are the standards. These pages do not have page numbers or Headers whereas the rest of the book, the Chapter Pages and chapters themselves, consist of both Headers and page numbers. So how do you tell the computer which pages to number and Header and which ones not to? Make a page brake. Go to the Page Layout icon and click Breaks. A number of options will pop down. I'd just used the Continuous option under the Section Break selection. The other ones made problems when I tried to use them so I just stuck with the Continuous button. When you hit the Continuous option, or any option, make sure your curser is placed where you want your page to Break. What this does is tells the computer that the section before the Break is different than the section after. Therefore, if you put Headers and page numbers in the book, it will not affect the specific pages you Break. 

4.     Next comes the Headers and page numbers. Most books have Headers which say the book's title on the even pages and the author's name on the odd pages. (or the other way around, whatever you want) To do this, go to Insert, the Header tab, and several different ways to write Headers will drop down. Select the one you want. The very first one, Blank, works well. Click it and write whatever Header you want. It will appear on all the pages on the left side. The computer doesn't know yet you want two separate Headers. Then go to Header and Footer Design. Look under the tab that says Options and check the square that says Different Odd & Even Pages. The odd page will instantly erase what you wrote so type in what you want the odd pages to say. Now, every even page will say _______ and every odd page will say _______. Every odd page is linked to each other as well as every even. They will all change automatically.      

5.     Then! There is the Chapter Pages (when I say Chapter Pages, I mean the first page of a chapter). These pages should not have a Header. "Ah," you scream! "What do I do now?!" It's ok, don't freak. I'll tell you what worked for me. Remember how to Break a page? Break the page right before the Chapter Page and the following page (Page Layout - Break - Continuous). This tells the computer the Chapter Page is its own separate thing. Because you put Headers throughout the book, the Chapter Page will show a Header even after you Break the page. To erase it, without messing with anything else, follow these steps. If the Chapter Page is an even page, go to the next even page (and if it’s odd then go to the next odd page). Go to Header and Footer Design and the Navigate option. Uncheck the box beside Link to Previous. This tells the program not erase the standard even pages when you erase the even Chapter Page. When the pages are no longer linked, go back to the Chapter Page, highlight the unwanted Header, and erase it. Because nothing it linked to it, the Chapter Page's Header is the only Header that will change.

6.     End the book with an Epilogue, Bibliography, synapses for the next book, and or your contact info. Remember if your Chapter Pages does not have Headers, neither should your Epilogue, Bibliography, synapses, and so forth. Continuity please.

Below are bullet point directions for formatting a book:

1.     Page Size = Page Layout - Size/More Paper Sizes

2.     Margins (to create required bleed and gutter) = Ruler - Margin Pointer

3.     Page Breaks = Page Layout - Breaks - Section Break: Continuous (or whatever you want)

4.     Headers = Insert - Header - Blank (Or the one that works for you) - Header and Footer Design - Options: Different Odd & Even     

5.     Chapter Pages = Break - go to next odd/even page - Header and Footer Design - Navigate - unclick Link to Previous - go back to Chapter Page - erase Header

6.     Elements After Story Text = Break - remove Headers

And there you have it! Don't you feel enlightened! Don't you feel so full of smarts and wisdom! I hope I’ve helped because when I tried to format my own book, there was no help for me. Google did not know, my computer teacher from high school did not know, and my computer geek friend did not know. No one knows. But now you do. 

So go out and conquer.


Wednesday, July 9, 2014

Strategic of Writing: Tone

Before writing a story, you have to sit down and think logically (which for me is difficult. Logic in an oober creative mind just doesn't fit together nicely. Spock and I wouldn't get along.) There is a lot of responsibility involved in writing a book: the characters rely on you to reveal their story in an engaging, accurate way, the world in which the story's in must be told in the best way, and the readers rely on you to take them somewhere good. That's a lot! And that's not all of it! There are strategic things you can do to make a story pop so before writing your epic adventure, sit down and plan. It's kind of like a battle strategy and if you louse the villain of the story will win and it'll be a sucky book. Who wants that?
There are several strategies I will share, but today I'll talk about tone. Tone is such a basic yet vital aspect of a story. If your tone is off, everything's off. What do I mean by tone? Tone is the feel the reader gets based on the words you choose to use. For example:
"The emerald grass swayed as the two walked hand in hand; the sunset dazzled their eyes as the wind kissed their cheeks." What feel did that give you? A bit gushy and romantic? If this was one of the first lines in a story, you would know the writer's style is poetic and likes to describe in a unique way. Now look at the same scene with a different tone:
"They walked through the grass, holding hands, and shielding their eyes against the sunset." A bit different feel, don't you think? This one's simpler, basic in a way. It isn't poetic or romantic. More down to earth. It's just showing two people walking hand in hand during the sunset. Nothing too special, and yet it has the same point as the one before. Because the tone is different, the entire feel is different. 
Isn't that awesome! Tone can shape the entire structure of a scene and make it sound one way or another. The idea is to guide the reader's mind in a specific direction so that it goes where you want. For instant, in the first example above, I used words that convey tranquility and happiness; emerald, dazzled, and kissed. Each word give an uplifting image and feel. Whereas, the other example was more cut and dry because of the word choice; shielding and against. Those two words implied opposition hence the feel of the scene is different. It is all in the words you decide to use.
You can use this when building up a certain feel in a story. Please keep in mind that you are in control. The reader will only know what you tell them and, if written correctly, feel what you want them to feel. Small clues can hint to a reader what tone they should feel. The rules are simple and there are only two:

1.     Use words that hint to the desired tone
2.     DON'T OVER DO IT! 

Well no duh use words that hint to the desired tone! No, don't judge my rules. Think about it. When entering a happy scene, don't use words that will work against your tone: hard ground, sharp color, a bird beat the air with its wings, wind moaned through the trees, etc. Those words, and several others, are good for a harsh, colder tone, but not a happy go lucky one. Same thing for a creepy scene. No happy, fluffy words that take away from the scene's punch: voice low and soft, the stars were distant beckons, and so on. 
As for rule number two. . . .
"The man, his nose a sharp beak between dark, beady eyes, stared down at the children with a crooked frown; his fingers curled like talons."
Read it again. What tone does this give? Why that tone? Think about it.
I described the man as a bird, more specifically a raven, with his beaked nose, beady eyes, and talon fingers. It is obvious he is not pleased with the children and they may be in danger. Anyone could have figured that out. Readers are smart. Writers seem to forget that and describe every aspect of a scene and spoon feed the reader everything. Don't do it. It’s belittling and insulting. Most likely, by the time you read "his nose a sharp beak . . ." in the sentence above, you knew he gave off a negative tone. Less is more. AKA remember readers don't equal idiots. Don't treat them like an idiots. 
Isn't this fun? I'm enjoying myself! The strategic ways to write fascinate me and make me excited! How about you? Are you ready to create tones that fit perfectly with your scenes? Awesome! Have at it! As always, experiment, play around, and find what works for you.
Happy writing!

Exercise:
Find a picture that is semi neutral, it can be positive or negative depending on how you look at it. Get out your writing utensils and write a positive scene based off the picture. Once you are done, write another in a different way. After you are finished, write one last paragraph of a positive scene in yet again a different angle. (Most of the time original drafts are okay, but never the best. Three's a charm anyways.) 
Now, write a negative scene of the picture. As before, rewrite it two more times and use different ideas and viewpoints to describe it. Read it over and give your favorite draft to a trusted friend. Ask what feel they get from your narrative. 
Are you happy with your results?
If not, work on it until you reach it, because I know you will.

If you did, awesome! Keep working on it because we all have room for improvement.