What makes a good book? Yes, there must be character development.
Yeah, yeah, and don't forget an interesting plot that sucks readers in and
won't let them escape. But what about the little things? The words. I want you
to imagine a story is a living, breathing animal. Words are the cells,
pages the body systems, chapters the body parts, and the story is the whole
being. What if the cells of an animal are all discombobulated? Then everything
else will be off. Likewise, if the individual words in a story are tweaked the
wrong way, everything else will be wrong. I don't want that. For anyone. So!
Listen up! Here's the good, the bad, and the butt ugly words you
should/shouldn't use.
First of all, the number one rule of
writing is to NEVER make your reader work (besides figuring out who done it).
They should never struggle to understanding the point you're trying
to make. Always keep the number one rule in mind. If you brake it you louse
readers.
As for -ing words, avoid them the best you can and replace them
with past tense words (-ed). Sometimes I have to use them (because I can't
think of anything else or I'm plane lazy). Don't use it often, though.
Dialogue Tags (this is fun stuff here)!
Dialogue Tags are the "he said" "she said" phrases. I have
been told different tactics about Dialogue Tags and know that every writer
has their own method. I'll tell you the three methods I've heard and you find
your way. First, spice Dialogue Tags up with, occasionally, using words other than
"said". Words such as asked, yelled, cried, screamed, muttered,
whispered, snorted, laughed, and a host of others. Readers get bored
with seeing "said" every time someone speaks. Change it up.
Second, don't use Dialogue Tags at all. Instead of using them, put a
character's action in its place, either before or after the dialogue itself. It
can be the character's gestures, where they look, if they clear
their throat, body language, and so one. Third, have a combination of the
two (which is what I do now). Use Dialogue Tags once every 4-5 times an
indication of who’s talking is needed. Otherwise, describe the speaker's
actions. Make sense? Good.
Last, there are a lot of words
and phrases that are just weak sauce. There's several in the
sentence you read a second ago. Can you see it? Let's start with
the weak words. There are two.
It is "just" and the second
"that". WEAK! If I took them out of the sentence, you would
still understand my point. Now, the weak phrases. There are two.
"There are" and "a
lot." Its weak and I don't need them. Here is how I would rephrase the
messed up sentence: "Lastly, curtain words and phrases are weak
sauce." Is it easier to read the second sentence version? Most of the
time, a sentence needs to be broken down and reshaped to be
perfect. Rule of thumb, if a word is not needed, get rid of it!
To clear the air, I follow these
rules when I write stories, but not in my blog. I write my blogs as though
we're having a conversation. Speaking of how I talk, words used
in dialogue is another realm of discussion (which I
will share in a future blog).
I hope this helps! Happy writing!
Exercise:
Pick one of the topics I touched on
and select one of your written works. Correct it according to
the rules you've learned and see how it turns out. Please tell
me what you think! I love feedback!
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